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Naishuller does the same with the action genre as Takashi Miike did with the superhero in Ichi the Killer (it's funny that the remake of another Miike's film, The Straw Shield, was just supposed to be shot by Ilya, but it didn't work out). In the hope that the enemies will follow him and continue the battle. One of the best scenes in the film is the one where the hero seemingly offers peace to the mafia boss, and then gets in the car and crosses his fingers. He is an agent of this very chaos, his living incarnation, which has received a reason to finally stop pretending.
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If we go back to the structure of the monomyth, it turns out that Hitch is not a standard hero who crosses the border from the world of order to the world of chaos. Naishuller deliberately deprives the character of a noble motive: he is cruel simply because he wants it so much, he cannot live otherwise.
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They have nothing to do with the mafia either - Hitch will enter the war against the Russians of his own free will when Alexander Pal falls under his hot hand. The robbers who burst into the house do not take anything of value and, in general, do not threaten anything, except for the masculinity of the protagonist.
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His "Nobody" only at first seems like a typical action movie about a former hitman: here is his everyday routine (ingeniously shown in a series of short editing phrases in the spirit of Edgar Wright), here is the triggering event after which the hero can no longer remain indifferent. These dramatic conventions have been entrenched in the viewer's consciousness for so long that they seem indestructible, as if taken for granted. He will definitely kill, he will be cruel, yes, but he has a noble reason for that, and it doesn't matter what kind of love, a dog or a bracelet with kittens. Someone must definitely threaten his family or give a reason for revenge - in general, push him out of his comfort zone and put the Campbell monomyth on the trail. We have a person with a "certain set of skills" who really didn't want to use them until circumstances forced him to. Reading the synopsis "Nobody", even a little bit familiar with the action movies, the viewer already imagines the whole plot of the picture. Until he meets a gang of aggressive guys on the bus (led by Alexander Pale) and accidentally enters a war with the cruel Russian mafia (Alexei Serebryakov). Hitch is a former FBI auditor (in other words, a hitman) who has a hard time starting a new life and does not want to return to violence. He saw that the criminal's pistol was not loaded, and could hit him with a golf club, but did not - for which his son now despises him. The gray stream of everyday life is interrupted by a sudden invasion: two robbers enter his house and, although they do not take anything especially, they leave Hitch with an uncovered gestalt. Hitch (Bob Odenkirk) is a simple family man, and every day is similar to the previous one: morning coffee, jogging, boring work, dinner with family, night side by side with his wife without a hint of romance. But when robbers burst into his house, all the rage that has been dormant in the hero for many years breaks out to the surface and forces him to face the darkest secrets.
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In the center of the plot will be Hatch Mansell, a simple man, an exemplary family man and a good neighbor.